We are gathered here today (2022) Film Review

<p>In the curiously small catalog of post COVID-19 films, We are gathered here today stands out as an experiment that works well due to the simplistic characterization of a moment. Filters are off, and the

Greywood’s Plot (2022) Film Review

<p>Days ago I was listening to a podcast, and a modern filmmaker (of genre films) said that a film has to be “sold” in its first 10 minutes. He said the idea of conquering an

The Film Comment Podcast: TIFF 2022 #3

Mirror mirror: Mark Asch and Madeline Whittle join to discuss festival standouts like Laura Poitras’s <em>All the Beauty and the Bloodshed</em>, Rebecca Zlotowski’s <em>Other People's Children</em>, and more